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Workshops at the Quinlan Visual Arts Center are an important aspect of Quinlan programming and are opportunities for intensive study with nationally recognized artists.
This
workshop is open to all skill levels, however drawing experience is
recommended. We will work with pastel and oil medium from photographs
and life studies. Debra will emphasize the development of a painting
from composition to finished product. Information on color and color
mixing will be discussed. Underpainting techniques for both pastels and
oils as well as surfaces for both mediums will be discussed. You may
bring your own life studies and or photographs for reference.
This is an intensive class in which students are taught a unique figurative collage technique. Working with photographic reference, students will explore drawing, composition, proportion, value, color and collage application. Emphasis on developing light & shadow. No prior collage experience is necessary.
A fun and light-hearted two days to recharge your batteries! Whether you are a beginner or a seasoned artist, join us for two exciting days of skill building in watercolor. We'll start with the basics and then dive into color usage and pinpoint specifically how each individual can improve short term and long term – as an artist. Bring a few examples of your work for a private consultation with Jim. Workshop includes demos by Jim and painting time for students, as well as daily critiques. A Georgia-based artist, Jim's artwork has been showcased in International Artist, The Artist Magazine and Watercolor Magic magazines. He has taught painting in Italy for the University of Georgia's Studies Abroad program, as well as having served as an adjunct instructor for Brenau University's Art & Design department in Gainesville, Ga. He is currently pursuing an MFA degree in studio art at Georgia State University in Atlanta.
The exciting and often challenging medium of watercolor will be explored in this workshop with an emphasis on sound art fundamentals. Students will learn how to control watercolor, which is commonly thought to be elusive with a mind of its own. Whatever skill level you are at, you will see your work grow as you discover new directions in color and composition. Through demonstrations, lecture and individual critique you will experience a different approach to this provocative medium. Click here for workshop outline. Click here for material list.
The best way to learn to
paint is by painting. Develop your own unique painting style by exploring
supplies, subject matter, and techniques, but mostly by hands-on experience. Each
student will receive individual attention and constructive
critique. You can find her supply list HERE.
October 1 - 3, 2010 (Fri/Sat/Sun) 9 AM -5 PM, $350
SPACE LIMITED TO 12 STUDENTS.
Nationally exhibited artist, Bill Davidson OPA, is well known for his images of
the lake and this region, as well as accurately capturing the essence of Europe and the West. His students refer to his teaching
skills as inspirational, motivational and creating accelerated growth.
ClickHERE for his Workshop Information Packet & click HERE for his supply list. Click HERE for Bill's Introduction letter.
Open to all levels, this challenging course will expose this rich medium from an experienced artist and instructor. The goal of this class is to equip the student with the skills necessary to fulfill their own artistic vision. Artists will receive individual attention and construcctive critique painting from live models. The student will be trained to look to see and to think in a sensitive way to equip them to make their art completely their own. Click here for supply list.
David Leffel, FALL 2010, $850 (+$30 model
fee) Dates: TBA
David A. Leffel will return to the Quinlan to teach his much
anticipated workshop on Painting Portraits and Still Life in Oil. An
instructor of artists, Leffel's workshop is often sold out, so call to
reserve your space today (770) 536-2575.
Author of An Artist Teaches: Reflections on the Art of Painting,
David A. Leffel is truly a 21st Century "old master." Leffel studied
both at Parson's School of Design and the prestigious Art Students
League of New York prior to becoming a teacher there. Best known for
his abilities to render light and shadow in what has been likened to
the Flemish/Dutch old master tradition, Leffel remains the premier
instructor to many professional artists. It is a rare privilege to
study in an intimate workshop setting with an artist of this caliber.
To download a printable version of David Leffel's supply list, click HERE.
January 10-14, 2011 (Tue/Wed/Thur/Fri) Cost: $530 Call to Register Today!
Throughout his career, Marc has been an instructor.
He started teaching as an assistant to Roman and Constantin and
gradually took over the classes in 1984. Still devoted to his students,
Marc regularly conducts classes and workshops. Marc states that his
first love is color and would consider himself more of a colorist than
a tonalist. He believes in a strong knowledge of drawing and anatomy
and practices them diligently. Marc begins his work by drawing with
paint. He prefers to paint alla prima because it keeps a spontaneous
approach to his subject. Nonetheless, his finished works carry great
detail. Working from darks to lights, he develops texture and color
using a weaving technique of brushstrokes and utilizes texture to
enhance the feeling of light striking the subject. "Color is paramount
to me as I develop the painting as a whole."
"To me, painting hooks me into a greater source and
connects me to the creative force. I’ve always felt it’s like dancing
on the eye lashes of God." And with love and admiration in his eyes
Marc quotes his father; like Roman always said, "in art, first one
becomes a master, then an artist, and finally, a student."
This
workshop concentrates on capturing the natural beauty of the human figure,
floras and other still life subjects in oil while working directly from life.
The beauty and power of fresh undisturbed oil paint as well as the expressive
and descriptive quality of the brushstroke is stressed. The instructor
demonstrates and emphasizes the direct alla-prima approach to oil painting. Schedule:
9am-4pm, daily.
Robert
Johnson was born in Hopewell,
Va. and has studied at the Art
Students League of New York, where he is a life member. Johnson is a signature
member of the Oil Painters of America and Allied Artists of America. He has
exhibited his work in numerous one man shows as well as in national group
shows. Brazier Fine Art showcased Robert Johnson's "Recent Works" in
a one-man show in September 2008.
Johnson
is a nationally-recognized artist, with collectors hailing from all around the United States.
Mr. Johnson teaches at the ScottsdaleArtistsSchool,
has held a popular workshop at Brazier Studio, and conducts many other private
workshops. Johnson's awards include first places prizes from The Artist
Magazine National Competition, the Salmagundi Club and many others.
Johnson currently resides and paints in Vienna, Virginia.
Click here for materials list .
Michael Siegel , March 21 - 25, 2011. Cost $630 (includes model fee) 5-day Workshop in Oil Painting, Still-life and Portrait.Click HERE for supply list. (20 max students)
In this class, students will learn to paint the portrait and
still-life using the chiaroscuro approach of the Dutch and Flemish masters.
Particular attention will be paid to light and shadow, as well as the use of
value, color, edges and brushstroke in creating a painting with a visual
concept.
Michael Siegel's deep interest in fine art dates back to his early childhood, and it was at the age of 14 that he took his first serious steps towards becoming a professional artist.
He studied figure drawing and portraiture in Milwaukee and Los Angeles under such luminaries as James Prohl and Glenn Vilppu. The pivotal moment in his studies came in 1998, when at the age of 18 he attended a painting seminar taught by Gregg Kreutz of the New York Art Students' League, who introduced him to the chiaroscuro style of the old Dutch Masters. Michael then moved to Taos, NM where he studied under the private tutelage of David Leffel, also formerly of the Art Student's League in NY, who is considered by many as a "20th Century Old Master."
Mr. Siegel's works have been collected throughout the world. At 30 years of age, Michael teaches painting classes and workshops around the country, has been featured numerous times in Southwest Art Magazine, and has received honors in such shows as the ARC Salon Competition, Greenhouse Gallery's Salon International, and the Artists' Magazine's International Art Competition. Currently, Michael resides in Los Angeles.
Roseta Santiago was born and raised in Washington
D.C. She started her career as an exhibit and graphic designer. In
1976 Roseta moved to Atlanta, Georgia where she expanded her design
business to include theme restaurant and nightclub design/build and
marketing. She soon enjoyed a successful career that included travel
throughout the U.S., Canada, Costa Rica and Puerto Rico.
Her work is influenced by Hovsef Pushman, Emil
Carlsen and John Singer Sargent. Her style is representative and
impressionistic. Her work is recognized and collected internationally.
She has successfully exhibited in for three years at The Eiteljorg
Museum of Western and American Indian Art in Indianapolis, the Taos
Museum-Fechin House in Taos, NM , 3 years in the Settler's West
Miniatures Show/ Tuscan, AZ, 3 years in "Cowgirl Up"/ Desert Caballeros
Museum Show/ Wickenberg, AZ as well as The COORS WESTERN Show in
Denver. She was honored by Fine Arts for
Children and Teens/ Santa Fe in 2008 for her work with children. Her
book "Conversations in Paint Language" is available in hardback as
well as a limited edition with an original painting included. A few spaces remain, so call today to register for this anticipated workshop.
Paint the landscape on location with a loose and
colorful style. With Dee's guidance, the
students will learn how light affects color. The class is for those
interested in learning how to organize for outdoor painting, how to see shapes
and color in the landscape, and how to make their paintings glow with color.
Dee Beard Dean will start each day with a short lecture followed by a demo
which will emphasize a particular skill. Special emphasis will be given
to "capturing the light", color-mixing, composition and
technique. The remainder of the morning and afternoon sessions will be
spent painting the landscape with individual instruction.
Dee will give the students individual
attention depending on their skill level. Although Dee
will be teaching using oils, she is well versed in all mediums and students of
all mediums are welcome. In is not Dee's
intent to change, but rather to enhance a student's individual style and help
them to jump to the next level.
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Gregg
Kreutz is an oil painter
based in New York City. He teaches
at the Art Students League as well
as many art schools around the
country throughout the year. He
is also the author of Problem
Solving for Oil Paintings,
an instructional book for artists.
The Quinlan welcomes new instructor Jon Houglum, a
Western North Carolina professional oil painter and private teacher to
hold a workshop! Several local artists ask to have him here to hold a
workshop after meeting him and viewing his artwork at Art in the Square
2008. Beginners and Intermediate skill levels are encouraged to take
this refreshing new course. Jon will demonstrate techniques of
painting an oil portrait in the tradition of the Old Masters and give
individual instructions to bring each artist further along their road
to being a successful painter. Click the following for video demonstrations, VIDEO ONE , VIDEO TWO , VIDEO THREE , VIDEO FOUR,
"I
would like to introduce you to an artist I am very impressed with. His
art caught my eye at an exhibition and I knew I wanted to learn more
about him. I have been an artist for over fifty years with exhibitions
in the US and Europe, and have been an instructor for twenty-one years
with an evening class at Emory University in Atlanta. This does add up
to knowledge of what good quality art is all about. I did meet this
artist and his name is Jon Houglum. When you look at his painting of
landscapes, they turn the eyes back to the eighteenth century when
every brush stroke made a statement to the viewer. In his paintings,
you see and feel moved by the moment. All my art history from college
came rushing back with exhilaration and respect. This is an artist, Jon
Houglum, whose work you must see to realize what I speak of. “
For information on local accommodations, click HERE .
Quinlan Workshop Policies and Payment Procedures
A workshop is a unique opportunity to study with a modern master, a professional artist that is sharing their expertise with devoted students. All skill levels are welcome to attend, however, it is assumed that the students enrolled in a course at this level will have a basic understanding of the rudiments of the medium. There are between 20 and 30 students enrolled in each workshop and one teacher. There is plenty of room and ample opportunity for individual instruction if you are adequately prepared.
Deposits
A non-refundable deposit of one-half of the enrollment fee is required at the time of registration to secure a place in the workshop. Deposits are transferable. (see Fee Transfers)
Balance
The balance is due one (1) month prior to the workshop start date. Reminder notices will be sent to students at the time payment is due.
Fee Transfers
Deposit fees are transferable to another workshop if intent to withdraw is made at least one month prior to the beginning of the class. (A $10 transfer fee will apply) Fees may be transferred one time only and must be redeemed within a year of original deposit date. Enrollment numbers determine whether or not a workshop will proceed, therefore deposits amounts and course fees will be forfeited if intent to withdraw or transfer is given less than one month proper to the class start date. Withdrawals made less than one month before the commencement of the course are considered a cancellation and will not receive funds nor will transfer of deposits be permitted.
Other suggestions to insure your workshop experience is a positive one:
Please provide the following, as necessary: Lights and extension cords, easels, still life objects including but not limited to pottery, fabric drapes, fruit and other objects d'art. The Quinlan has a limited number of these items. Arrangements to borrow lights and easels may be made in advace by out of town participants only on a first come first served basis. supply lists will be sent and are posted for your convenience on this website, please try to come prepared. Presently, there are no art supply stores in Gainesville. Limited supplies can be purchased at the local Walmart, Office Depot, and Office Max. Surrounding communities such as Cumming and Buford have vendors of art supplies; please as Quinlan staff for more details.
At the end of the workshop week. Please be sure to dispose of all personal items and perishable still life items, such as fruit and flowers in the wast receptacles provided in the studio.
