Opening Reception: June 19, 2025 | 5:30 PM
Closes August 9, 2025
Closes August 9, 2025
Solo Exhibitions
Howard Bollinger |
Exhibition: Turn the Art
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Early Artisan Roots
As a youth, Howard spent hours observing his carpenter grandfather make toys and doll houses. On weekends, he performed with his family, a professional singing group, well-known throughout the region. Toy Man From these musicals, artisan roots, Bollinger graduated from design school and took a job that would impact his life dramatically. He climbed the corporate ladder to Senior Vice President of Product Concepts at Kenner/Hasbro Toys using his keen artistic and inventive talents. Riding The Wave Bollinger rode the wave of success to create successions of mega toy line hits. His Star Wars development became the bestselling toy line in history. Bollinger’s list of hit toys reads like a Who’s Who of toys with the famous Care Bears, Ghostbusters, Jurassic Park, M.A.S.K., Strawberry Shortcake, Littlest Pet Shop, and Batman toy lines to his credits. Visions Emerge Routinely working hand in hand with Steven Spielberg, George Lucas, Jim Cameron, Dan Ackroyd and the late Jim Henson to innovate 3D toys to express the action in films, Bollinger found himself drawing his spontaneous visions as he brainstormed the next toy invention. Totally his own style, this new art was emerging, bubbling up from within. In The Eye of a Creative Storm In addition to the world of feature film and toys, Bollinger traveled the globe seeking out new ideas from other inventors and studios. He faced the daunting task of creating new lines that would sell hundreds of millions year after year. The energy of it all moved him to one outlet - expressing his artistic images on whatever surface was before him. The images appeared on napkins over Hollywood dinners, on sales volume spreadsheets, Star Wars meeting agendas, and the large round oak table in his office! The artist’s free hand could not hold them back. |
Russell Miyaki |
Exhibition: When the World Softens
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Russell Miyaki is a contemporary artist and creative director in New York city, His studio is at Metro Art Studios in Bridgeport, CT, which is a renovated historic 1800’s corset factory. Russell is 3rd generation Japanese American born and raised in New Mexico. Attended school in Colorado graduating with honors majoring in advertising design and illustration. Throughout his career he has worked for several design studios and advertising agencies winning his share of industry awards and recognition. From the One Show Interactive to multiple Webbys.
Russell works in oils, pigment sticks and acrylics on canvas, wall board and plexiglass layers. He is greatly inspired by the works of Peter Max, Juan Gris, Lee Krasner, August Macke, Franz Marc, Willem De Kooning and Jean-Michel Basquiat. “As an artist, I use my canvas as a portal, bridging my inner feelings and thoughts to the reality of life outside. Simultaneously, my canvas also serves as a mirror reflecting my deep empathy for the lives and emotions of others. It's this connection between self and society, the introspective and the universal, that gives my art its essential vitality and purpose. My work embodies the simplest, yet most powerful expressions of positive energy, happiness, and fun. It represents an escape from the anger and unhappiness that seems all too prevalent in today's world. My hope is that through my art, viewers are transported, if only momentarily, to a place of joy and serenity. In creating these visual affirmations, I am not just reconciling my emotions with the world; I'm offering an invitation to others to join me on this journey of hope and happiness.” Gallery representation: Sorelle Gallery, Westport, CT dk Gallery, Atlanta, GA Exhibits and juried shows: 2024 A Good Day; Solo exhibition, Sorelle Gallery 2024 Stories We Tell; Artburst Studios 2023 Milford Public Library Solo Exhibition 2023 Norwalk Art Space Exhibition 2023 Inside, Outside, Upside Down, Artburst Studios 2022 Steelpointe Yacht & Charter Show, Bridgeport, CT 2022 Gather Round Upside Down, Beechwood | Westport Library 2 022 The Klein Memorial Auditorium, Bridgeport, CT 2022 Solo Show, Dryden Gallery Providence, RI 2021 Bridgeport Art Trail, Bridgeport, CT 2021 “PETS” Exhibizone Exhibition 2021 A-I American Illustrators Honors 2021 “Sources of Inspiration” Juried Show 3rd Place, Old Town Arts Guild 2021 Disrupted Realism National Juried Show, Buckham Gallery, Flint Michigan 2020 Bridgeport Art Trail, Bridgeport, CT Fresh Art 2020, Marin Society of Artists Juried Show 2020 Taos Art Insurgence, Taos NM; (Director’s Choice) 2020 FALC 25th Annual Juried Exhibition, Cary NC IMPROMPTU IV, Cape Cod Cultural Center American Gift Industry, Moscone Center, San Francisco, CA National Stationery Show, Jacob Javitz, New York, NY Z-Gallerie, San Antonio, TX |
Group Exhibitions
Patricia, Jessie & Christina Fabian
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Exhibition: The Apple Doesn't Fall Far From...
A Mother-Daughter Exhibition of Nature-Inspired Art
Patricia Fabian's Artist Statement
“When I paint, I start with all the noise of the day, and then as the painting develops, I reach the quiet core. My approach to painting is akin to sculpting with clay, where I take out what I paint, making more out of less. I paint by removal till the truth is carved out. I use texture and color as my expression of communication. “
My journey began studying at the Art League under the tutelage of great artists like Wolf Kahn. I then ventured out into the world to discover the intersection of life, nature, and art. The adventure began in Abique, New Mexico, near Georgia O’Keefe’s ranch, where I spent the summer on a quest to understand color. The teal, purple, sage, and tan of the desert taught me how to recognize what is truly important as I painted the beauty of nature in the quiet moments. I then dove into truly understanding the many textures of nature as I painted beaches, forests, mountains, and fields. It is a thirty-year (and counting) journey that has taken me all through the United States and the numerous meanings of the seasons. I felt the comfort of a warm sweater as you hike through the mountains in autumn as I illustrated the change of the season. I embraced the calm of the snowfall in winter as I filled my canvases with wintery scenes. I experienced the joy of the first bloom in spring as I set up my canvas to plein air paint among the flowers. I reveled in the relaxation of sun-filled beach days of summer as I sketched out seascapes. Three years ago, I was awarded a grant to paint in the French countryside at Chateau Orquevaux. The Colza fields that surrounded the village created a sea of yellow that stretched out into the horizon. I found harmony. The vibrant flowers were in perfect union with the rustic homes, and a toast of champagne was in order in the afternoon. |
Patrick McGannon 
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Suzy Schultz
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D A Willis 
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Exhibition:
The Language of Form: 25 years of Painting the Figure
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Exhibition Statement
Through a shared passion for the figure as a form of artistic expression, the three of us met working from live models roughly 25 years ago. We have since consistently met together either in the confines of our own individual spaces, or those of other organized groups, to develop our skills in the art of figurative representation and of speaking in the language of form.
Although our styles and emphases may differ, it is this focus on the human form, one of infinite variability, and yet also, a graceful orderliness and beauty, that inspires and connects us with one another. We hope that our depictions of the figure suggest a broader sense of connectivity between us all, as well as our reverence for what we consider timeless, universal, and divine.
Although our styles and emphases may differ, it is this focus on the human form, one of infinite variability, and yet also, a graceful orderliness and beauty, that inspires and connects us with one another. We hope that our depictions of the figure suggest a broader sense of connectivity between us all, as well as our reverence for what we consider timeless, universal, and divine.
Artist Biographies
Patrick McGannon
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Patrick has lived and worked in Atlanta since 1997 after relocating from his hometown of Chicago. He received a BFA from The Art Institute of Chicago in 1989 and an MFA from Indiana University in 1991 in Drawing and Painting. While at Indiana University Patrick made two trips to Florence, Italy with IU, one trip as a student and one trip as a teacher’s assistant. These experiences began for him a love of antiquity and a lifelong endeavor to study the masters of the past and develop his skills as an artist. After receiving his MFA, Patrick taught drawing and painting at Southwest Missouri State University.
In addition to studying fine art at The Art Institute of Chicago, Patrick was a conservation assistant in the Ryerson Library of the museum. This work and experience have developed into a career over the last 25 years as a fine art conservator of paper artifacts. Working intimately with antique artifacts of the past centuries as well as contemporary artists has contributed greatly to his understanding of artists' working processes and materials. Patrick has continued to paint and attends drawing sessions weekly, where he works from a live model. He has shown at Mason Fine Art (formerly Mason Murer) and Addington Gallery in Chicago, Illinois for the last twenty years. Patrick has had paintings accepted into several national shows recently, including Oil Painters of America Eastern Regional Exhibition of 2017 and OPA’s National Exhibition in 2015. |
Suzy Schultz
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Suzy Schultz is an artist whose paintings and drawings explore the themes of longing, struggle and the hope of transformation
She writes about her work: I am drawn to subjects that have gone through the fire - whether through hardships, doubts, failures, or just the weathering of life - and have emerged refined with beauty, dignity or resilience. My models are members of my community, my neighbors and my friends. I paint them because they give me hope that those fires of life could produce beauty, strength and dignity in myself. Through my work I attempt to show that transformation is possible, not only in my Atlanta neighborhood, but in the community at large. Suzy grew up in St. Petersburg FL, and was encouraged in her art by her artist mother, and later her boss/mentor at a mission's agency. She graduated from Auburn University with a degree in Mathematics Education and taught high school for 4 1/2 years. Taking a leave of absence, she spent a year overseas in Poland. On returning, she did some part-time graphic design work for a local mission agency and was eventually hired to help with their publications. There she was mentored and nurtured in her artistic talent and encouraged to paint for illustrations used in the magazine. When her mentor and boss left to go on the mission field six years later, she was told she needed to leave her job and paint full time, which she did. She has painted full-time since 1995 and has won many awards for her work. Her work has been featured in American Art Collector, Fine Art Connoisseur, Drawing, Watercolor Magic and The Art of Watercolour magazines. She has also had work published in Strokes of Genius 2, 3, 6, 12 and 13 and Art Journey: People, (Northlight Publishers), Splash 13, 21, 22 and 23, (F & W Media) and Oxford American. Her work has been juried into many shows, including The Philadelphia Watercolor Society, National Watercolor Society, American Watercolor Society, San Diego Watercolor Society, Southern Watercolor Society, Fort Wayne Museum of Art Contemporary Realism Biennial, and “Georgia Artists Select Georgia Artists” at the Museum of Contemporary Art in Atlanta, GA. She is a 2018, 2019 and 2020 Art Renewal Center Salon Finalist. She was recently invited into membership of the Hudson Valley Art Association and the American Arts Professional League. |
D A Willis
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My passion for creating works of art is rooted in my desire to express my thoughts and feelings on the profound and seemingly impossible nature of our existence. Although I didn’t formally study the practice of drawing and painting the figure, after exposure to it through continuing education and independent study, it became my means of expression. Through the artistic depiction of the human form, I aim to reveal and highlight a timeless, abstract universality that is common to and shared by all of us and everything while also underscoring the unique fragility of our humanity.
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